lunes, 21 de diciembre de 2009

DO THEY KNOW IT´S CHRISTMAS?

"Do They Know It's Christmas?" is a song written by Bob Geldof and Midge Ure in 1984 to raise money for relief of 1984–1985 famine in Ethiopia. The original version was produced by Midge Ure and released by Band Aid on 29 November 1984.[1]

In late 1984, a BBC report by Michael Buerk was aired highlighting the famine that had hit the people of Ethiopia. Irish singer Bob Geldof saw the report and wanted to raise money. He called Midge Ure from Ultravox and together they quickly co-wrote the song, "Do They Know It's Christmas?".

Geldof kept a November appointment with BBC Radio 1 DJ Richard Skinner to appear on his show, but instead of discussing his new album (the original reason for his booking), he used his airtime to publicise the idea for the charity single, so by the time the musicians were recruited there was intense media interest in the subject.

Geldof put together a group called Band Aid, consisting of leading Irish and British musicians who were among the most popular of the era. The 1984 original became the biggest selling single in UK singles chart history, selling a million copies in the first week alone. It stayed at Number 1 for five weeks, becoming Christmas number one, and ultimately sold more than 3.5 million copies domestically. It remained the highest selling single in UK chart history until 1997, when Elton John's "Candle in the Wind 1997" was released in tribute to the late Diana, Princess of Wales, which sold almost 5 million copies in Britain.

Recording

Respected producer Trevor Horn was approached by Geldof to produce the song, but he was unavailable. Instead, he gave use of his studio, Sarm West in London, free of charge to the project for 24 hours, which Geldof accepted, assigning Ure as the producer instead. On 25 November 1984, the song was recorded and mixed.

Geldof and Ure arrived first at dawn so that Ure could put the recorded backing tracks, put together at his home studio, on to the system at SARM. He also had vocals recorded by both Sting and Simon Le Bon of the song which he had acquired from the artists early in order to provide a guide for the other singers.

The world's media were in attendance as artists began arriving from 9am. Duran Duran, Spandau Ballet, Paul Young, Culture Club (without Boy George, initially), George Michael of Wham!, Kool and the Gang, Sting, Bono and Adam Clayton of U2, Glenn Gregory of Heaven 17 (whom Ure personally ordered down) and his bandmate Martyn Ware, Phil Collins, Paul Weller of the Style Council, Francis Rossi and Rick Parfitt of Status Quo, Jody Watley of Shalamar, Bananarama, Marilyn (who was not invited but arrived anyway) and some of Geldof's bandmates from the Boomtown Rats all arrived. Only one of Ure's Ultravox colleagues, Chris Cross, attended. Geldof, noticing Boy George's non-attendance (despite ringing him up in New York the day before demanding he sing on the record), went back to the phone to get the Culture Club frontman out of bed and on to Concorde.

Ure played the backing track and guide vocals to the artists together, then decided, in a way of getting all involved straightaway, to record the crescendo first, which also allowed the 'team shot' of the day to be photographed. The artists were put in a huge group and sang the 'Feed the world, let them know it's Christmas time' refrain over and over again until it was completed.

Then Ure sought a volunteer to be first into the studio to sing the main body of the song. Eventually Tony Hadley of Spandau Ballet took the plunge, with plenty of rival artists watching him, and sang the song straight through. The other assigned singers then did likewise, with Ure taping their efforts and then making notes as to which bits would be cut into the final recording. Le Bon, despite having already done his bit at Ure's house, re-recorded his so he could be part of the moment. Sting also recorded the words again, this time to provide harmony.

Phil Collins arrived with his entire drum kit and waited until Ure was ready to record him over an electronic drum track that had already been put in place. The song ended up as a mixture of Collins' drums and an African rhythm that opens the song, taken from a sample of The Hurting by Tears for Fears.

Not all went smoothly. Ure stated in his autobiography that he was constantly battling with Geldof, the song's lyricist but not renowned for his melody skills, and telling him to leave when he would come into the production booth and wrongly tell the artist behind the mic what to sing. Ure also had to shelve an attempt by the two members of Status Quo to record the "here's to you" harmonies because Parfitt could not hit the note. Rossi afterwards told Ure that Parfitt never sang in the studio, only onstage, and he should have kept him away from the mic. This section was eventually taken on by Weller, Sting and Gregory. However, Quo were able to contribute in other ways, according to the journalist Robin Eggar:

"Once Status Quo produced their bag of cocaine and the booze started to flow – I brought six bottles of wine from my flat, which disappeared in a minute – it became a party."

Boy George arrived at 6 pm and went straight into the recording booth to deliver his lines. Boy George was rather vocal in his dislike of fellow singer George Michael, some of which is caught on video during the filming of the Band Aid collaboration. While recording harmonies, Boy George openly confused Michael's recorded vocals with the voice of "Alf" (British singer-songwriter Alison Moyet, who did not participate in the charity single). When the engineer correctly identified the voice as that of Michael, Boy George replied, "God, he sounded camp. But then he is." Once Boy George had finished his tracks, Ure had all the vocals he needed and, as the artists began to party and then drifted away, began working on the mix. A B-side, featuring messages from artists who had and hadn't made the recording (including David Bowie, Paul McCartney, all members of Big Country and Holly Johnson from Frankie Goes to Hollywood) was also recorded over the same backing track. Trevor Horn arrived back to his own studio to put this together.

Despite being singers themselves, neither Geldof nor Ure had a solo line on the song, though both took part in the 'Feed the world' crescendo.

Ure worked on the mix through the night and finally completed the task at 8am on the Monday morning. Prior to departing SARM, Geldof recorded a statement: "This record was recorded on the 25th of November 1984. It's now 8am on the 26th. We've been here 24 hours and I think it's time we went home."

The song was quickly dispatched to the pressing plants who had promised to have the single pressed and ready by the Tuesday. A spell of publicity and final legal details followed, then it hit the shops on Thursday 29 November in a sleeve designed by Peter Blake. It went straight to #1.

Participants

The original Band Aid ensemble consisted of (in sleeve order):

"DO THEY KNOW IT´S CHRISTMAS?" LYRICS

It's Christmastime
There's no need to be afraid
At Christmastime, we let in light and we banish shade
And in our world of plenty we can spread a smile of joy
Throw your arms around the world at Christmastime

But say a prayer

Pray for the other ones
At Christmastime it's hard, but when you're having fun
There's a world outside your window
And it's a world of dread and fear
Where the only water flowing is the bitter sting of tears
And the Christmas bells that ring there are the clanging
chimes of doom
Well tonight thank God it's them instead of you

And there won't be snow in Africa this Christmastime
The greatest gift they'll get this year is life
(Oooh) Where nothing ever grows
No rain nor rivers flow
Do they know it's Christmastime at all?

(Here's to you) raise a glass for everyone
(Here's to them) underneath that burning sun
Do they know it's Christmastime at all?

Feed the world
Feed the world

Feed the world

Let them know it's Christmastime again

Feed the world
Let them know it's Christmastime again

repeat then fade

(Bob Geldof & Midge Ure)

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